Friday, July 04, 2008

"I Want Both of Us"

My yoga teacher read this poem to us at the end of class yesterday, and I loved it so much, I wanted to share it here. To me, it's a celebration of life - we all have our burdens, but let's celebrate the beauty, and find beauty in daily existence.

I Want Both of Us
By Hafiz

I want both of us
To start talking about this great love -
As if you, I, and the Sun were all married
And living in a tiny room,
Helping each other to cook,
Do the wash,
Weave and sew,
Care for our beautiful
Animals.

We all leave each morning
To labor on the earth's field.
No one does not lift a great pack.

I want both of us to start singing like two
Traveling minstrels
About this extraordinary existence
We share,
As if
You, I, and God were all married
And living in
A tiny
Room.

+++

According to Booklist, Hafiz is "less well known in the U.S. than his Sufi predecessor, Rumi," but "is so beloved in Iran that he outsells the Koran." Ralph Waldo Emerson apparently called him "a poet's poet," which to me is insulting - it implies his work isn't accessible to regular old human beings.

I wasn't able to find a good English-language website or book about Hafiz's life and work, but there are three well-regarded English translations of his poetry: The Gift, The Subject Tonight is Love, and I Heard God Laughing.

Here's a great image I found on Flickr of a mural in Minneapolis (courtesy of BJHokansen):

Photo of Hafiz mural in Minneapolis, by BJHokanson on Flickr

Wednesday, July 02, 2008

I didn't like it, but you should see it

Source Festival 2008I went to see a showcase of so-called "interdisciplinary projects" as part of the Source Festival tonight. "Interdisciplinary project," in this context, means, artists from two separate disciplines get together and create a performance that blends the two forms; in the case of tonight's showcase, that meant spoken word + dance, improv + dance, and film + dance (dance-ity dance dance).

$15, three shows, only one of which I actually enjoyed (that would be the one involving improv - big shocker, I know) -- and yet, I was glad to see all three, because each had a quality that is so very difficult to find: each was distinctive.

Not to make this Semantics Month here on Creative DC (see also: Deep Thoughts on a Sunday Night), but "distinctive" is a doozy. I know what I mean by it, in my gut, but my brain has a harder time translating. Here's my best attempt: "Distinctive" is when I sense a sincere purpose behind a work of art, and it has an aesthetic that grips me for being new and fresh. So much of what I see looks so much like other things I've seen - when something breaks through that, I pay attention.

So if you're looking for some creative fodder, check out tomorrow night's show - and let me know what you think. And kudos to the Source for providing the space for this kind of experimentation.

UPDATE 7.4.08: As Letty mentioned in the comment she posted, the improv/dance show ("Going Against the Flow - Improvised Lives") is coming to the 9:30 Club later this month - July 26, 8:30 pm. The performance is part of the Capital Fringe Fest.

Monday, June 30, 2008

Foraging

Yesterday I had a glorious experience at the Dupont Circle Farmer's Market (despite blogging about the market in Mount Pleasant, my Saturday did not take me there). I came home with heaping bags full of cherries, nectarines, salty Persian cucumbers...a pint of small red strawberries, so shockingly sweet on my tongue...I spread out my bounty on my kitchen counter, just soaking in the glorious color and the perfume of the basil, and felt what can only be described as ecstasy.

I sliced up a cucumber and sprinkled it with the tiniest bit of sea salt, and with every crunchy, salty bite, I was content. I chopped a tomato and tore basil leaves, rubbing the bits between my fingers, and mixed this, too, with the tiniest bit of sea salt, a shake of balsamic, and a small sprinkle of pungent feta; it was sublime. I retired to the porch with a pitcher of water infused with cucumber, a glass, and a sweet nectarine to top it all off.

And as I sat there, feeling a sensuous high, I found myself reflecting on the similarities between foraging at the farmer's market and foraging for creative inspiration. I didn't buy everything at the market - some colors and scents and flavors called out to me more than others, and I allowed myself to indulge my intuition: this, a delicious must; this, pretty, but not for me. My bounty was uniquely mine. Searching for creative inspiration, I realized, is a similar experience - all sensors open as we move through life, responding, maybe, to this birdsong, that breeze, that tune through the window, and storing these sensations away, to pull out later, and make into something completely our own.

Friday, June 27, 2008

Saturday Fun-times

Lots of interesting things to do tomorrow. Here's a sample schedule:

11am Go the Mount Pleasant Farmers Market and bask in the presence of fresh, gorgeous produce straight from the farm. Watch dogs scampering off to the side, and listen to the dulcet tones of the singer/guitarist who's usually there. If you're feeling indulgent, duck into Heller's Bakery and try one of their coconut donuts - truly a life-changing experience.
Crafty Bastards Silver Spring 2008
Noon Off to the Crafty Bastards craft fair in Silver Spring. "Shop for one-of-a-kind, handmade items from more than 70 vendors while enjoying a full day of entertainment, workshops, and local treats." (Why re-write what they already say so well?)

[NOTE: the deadline to apply to Crafty Bastards DC (coming in September) is July 17 - apply here.]

3pm Time to rest your weary bones - head over to the AFI Silver for a screening of Alfred Hitchcock's Vertigo.

5:30pm Go home. Take a nap. Eat something.
Washington Improv Theater presents JINX in Close Quarters
8pm Get thee to Flashpoint Gallery's Mead Theater in Penn Quarter for a night of comedy. At 8, see yours truly in JINX's "Close Quarters," a show that debuted last month at the Chicago Improv Festival to rave reviews. Then it's onesixtyone, Superbest (a must-see for any gamers among you), Jackie, Vic Speedboat, and - if you're feeling saucy - an open-mic at 11.

After Choose your own adventure

Thursday, June 26, 2008

I just can't quit you

...no, wait - I can.

I'm quitting Twitter. It's official. At least for the summer. On vacation, I realized how much of a time suck it is for me, and how much more rewarding it would be to save up all those 1-minute increments of Twitter time and turn them into writing time.

How can you claim more time for something that really matters to you?

Tuesday, June 24, 2008

3 Opportunities for DC Artists

Beth Baldwin from the DC Commission on the Arts and Humanities asked me to post these opportunities for artists. The first one fascinates me - if you were going to submit one image that captured DC for you, what would it be?

Images of Washington

Deadline: Wednesday, July 9, 2008 at 5:30 pm

The DC Commission on the Arts and Humanities (DCCAH) is purchasing artwork that captures archetypes of Washington DC. Subjects include specific neighborhoods, parks and circles, festivals, gathering places, or cultural events. Less obvious motifs include downtown redevelopment, restaurants, shops and businesses, work places, or Metro stations. Artists should consider a broad range of subject matter as long as the works have an unmistakable subject reflecting life in the District. Artists should also consider submitting images of Washington that depict the changing neighborhoods and the parts of the city that are disappearing. The Committee is very interested in depictions of all wards of the city. The collection serves to honor and embrace life in the District.

For more information or to request an application in HTML format, email Beth Baldwin at beth.baldwin@dc.gov or call (202) 724-5613.


Suspended Installation: Saint Elizabeth's Hospital
Budget: $30,000
Deadline: Monday, July 14, 2008 at 5:30 pm

The DC Commission on the Arts and Humanities (DCCAH), in collaboration with the Saint Elizabeth's Hospital (SEH), seeks an artist or artist team to design and create a suspended public art installation in the interior main staircase of the new hospital currently being constructed. The work will be visible outside of the main entrance to the clinical hospital. The artist will be required to work with selected patients in the design and execution of the suspended installation or facilitating at least two workshops where patients would create their own work that would be considered for the patient gallery.

For more information or to request an application in HTML format, email Beth Baldwin at beth.baldwin@dc.gov or call (202) 724-5613.

Mural Installations: Saint Elizabeth's Hospital
Budget: $17,500 for each mural
Deadline: Monday, July 14, 2008 at 5:30 pm

The DC Commission on the Arts and Humanities (DCCAH), in collaboration with the Saint Elizabeth's Hospital (SEH), seek artists or artist teams to design and create up to four (4) site-specific indoor murals in public areas of the new hospital currently being constructed. The artists will be required to work with selected patients in the design and execution of the murals or facilitating at least two workshops where patients would create their own work that would be considered for the patient gallery.

For more information or to request an application in HTML format, email Beth Baldwin at beth.baldwin@dc.gov or call (202) 724-5613.

Sunday, June 22, 2008

Deep Thoughts on a Sunday Night

“Creative living” – what does that really mean, anyway? I profess to you here on this blog that I will inspire and showcase creative living in Washington, DC. I know what I meant when I started, back in 2006, but today, I’m less sure.

The single mother who finds a way to make ends meet – is that creative? Craftily balancing each moment of her day like a dazzling waitress, arm full of plates – there’s craftiness there, and determination, and don’t those traits add up to “creative”? And really, who’s to say if they do or don’t?

The painter, who creates brilliantly colored canvases, but shows no interest in the world beyond his studio – surely he’s creative (he’s an artist, after all); but does that mean that making art is the sole indicator of creativity? What, then, of the 20-something who is full to bursting with love for the world, but can only write lists in the notebook he keeps by his bed of ways to make a difference?

Is it just semantics, or do these questions matter?

When I started Creative DC, I had a very clear definition of “creativity” in mind: “Creativity” as in “mindfulness,” as in “making active choices” – as in, seeing life as a story to be written, not a script to follow. I still believe in the importance of actively creating your own life, but it’s that word – “creative” – that trips me up. It’s so over-used, or mis-used – like “faith” and “love” and “truth,” it’s a word that’s charged, and dangerous, because it means so much, and so many different things, to so many different people.

Maybe this blog is my way of trying to reclaim the word from the academics and advertisers, who use the term carelessly, as short-hand. “The creative class” – everyone from hairdressers to scientists, defined as an economic phenomenon, implying that those who don’t fit the description are, well, not creative. A “creative brief”: a snazzily-written document that summarizes the best way to sell something (a car, a tv show, a concept) to a target audience (“target,” as in, firing range). “Creative problem solving” – applying ingenuity to get something done in order to further a business objective. These phrases are as far from what “creative” means to me as “I love my MTV” is from “I love you” between soul mates.

But this is a democracy, right? Language is there for anyone to use, however they want to use it. No use being so uptight. Fine. But I remember being 23 years old, miserable at my corporate job, saying to my parents, “I just want to do something creative.” “Well, I’ve always thought you would be wonderful at marketing,” my mother said. It was like I had said I was starving, and someone had offered me a saltine. But there was a gap there I didn’t know how to bridge, because I didn’t even really know what I meant; I just knew that “creative” was the closest signifier I could grab hold of.

To paraphrase Rilke, from Letters to a Young Poet - maybe I needed to live my way into the definition. Maybe “creativity” is vague until you make it specific, by growing into it. And maybe “love” is the same way – as flimsy or sturdy as your experience with it; a word, a concept, until you can inhabit it, and it becomes a life force.

And maybe, as writers, who care about language enough to use it purposefully, we are leaving a trail of bread crumbs for people when we use these words – a promise of something that flickers in the distance until one day, if you’re lucky, it illuminates your whole life. (And maybe, that’s why some of us write: to get closer to the light ourselves.)